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ALL ROADS LEAD TO ROME
If the Romans did one thing right, they made great roads. Roman roads are still in use to this
day. Why were the Romans so interested in building such long-lasting and straight roads?
We live in a world where we increasingly "let our fingers do the walking." From a portable cell
phone equipped with a Web browser, you can conduct business on three continents without
leaving the beach. (Just make sure you don't spill your banana daiquiri on your liquid crystal
display.)
Increasingly, the word communication has come to mean electronic contact as opposed to fleshand-
blood meeting.
One of the prerequisites of rulership is communication. The Romans built quick straight roads
because they needed to know and dominate what was happening in the far corners of their
empire. Size is a function of the ability to conquer space. We talk of the world getting smaller
even though it's still some 24,000 miles around. The "size" of the world is in direct proportion
to our ability to span the globe, both physically and electronically. Even though the Roman
Empire occupied little more than Europe, the Middle East, and North Africa, in comparative
terms it was probably the largest empire that ever existed, because the known world was a very
large place in those days.
Communications are an instrument of government. The Romans used the roads to rule. The
inheritors of their empire use the electronic media.
Imperial domination, however, can take the form of more than brute force and tax collection.
Most of the wars in history have been either about trade or religion. And religious wars are
about the imposition of a certain weltanschauung - a cosmology. "We see the world this way
- and if you want to stay in this world you'd better see it that way, too." The sword is often
the ultimate theological argument.
The imposition of the religion of the imperial power is an expression of its cultural domination. In our era, the cultural domination of the heirs of the Empire is the Coca-Cola sign hanging
beside the inca Trail on the way to Machu Picchu; it's a giant MacDonald's M in the shadow
of the Taj Mahal.
The brilliance of American consumerism is that it bonds into a cohesive whole, a country
of several time zones, vastly different geography and weather, let alone culture and religion.
Whether you come from Biloxi or Topeka, Encino or Nantucket, however far you are from
home, you can always look out your car window and feel right at home seeing the same
icons you left behind: Best Western, Burger King, holiday inn, Stuckey's. The same familiar
landscape - the landscape of Empire.
Television performs the same function: it binds the nation together. Wherever you are, you're
in the same transcontinental parochial meetinghouse.
Broadcast television is such a powerful tool, and it's so much a part of our cultural language,
that people frequently suggest it as a means of spreading Torah values. There is an idea that we
can reach many of those who have become estranged from Judaism by making documentaries
for broadcast television about the Torah and the Torah way of life. Another idea is that those
who have had conspicuous success in the secular world, whether in the arts, business, or science,
should make their stories into TV docudramas.
It seems to me that such projects are doomed from their very inception. have you ever seen
Orthodox Jews look anything other than weird on the media? Why is that? Why is it that only
Muslims look exotic and picturesque against all those Lawrence of Arabia sand dunes? Why
is it that Kodachrome loves every African or indian cult, whereas the People of the Book are
singularly unphotogenic? Why do we seem parochial and rather shabby when exposed to the
glare of the TV's gaze?
Our Sages teach that the Jewish people will experience four exiles. These exiles are hinted at in
the opening lines of the Torah. "And the Land was formless [Babylon] and void [Persia/Media]
and darkness [Greece] on the face of the deep [Rome]." Since the Torah is the blueprint of the
world, something written at the very beginning of the blueprint indicates that these exiles are
a fundamental process in the history of the world (see "That Will Bring Us Back to Do...," p.
120).
The first of these four kingdoms took the kingship from the Jewish people. Each empire has
successively grabbed the mantle of power from its predecessor. Ultimately the fourth empire,
the empire of Esav/Rome and its current heirs, will return kingship to the Jewish people. Until
that time, however, the fourth kingdom has the power of the kingship and all its trappings. It
writes the songs of the world, for music is a scion of kingship - King David, the prototype
of all kings, is called the "pleasing singer of Israel." But the lyre of David breathes the songs of
majesty no more.
When the Jewish people went into this last exile, the exile of Rome, the Temple songs of
the Levi'im were silenced. The Romans took that music and made it serve a new master. It
resurfaced hundreds of years later as the Gregorian chants of the church.
if music and religion are but two aspects of imperial cultural domination, television is the
ultimate form of this thrall. Television is the dream factory that allows the ruling power to
foist its worldview on its vassal states. It places the minds of its subjects in a cultural iron mask.
Wherever you can put up a satellite antenna and beam down a Big Mac from the sky - there
the Empire rules.
The Romans built the best roads in the world. But if they were alive today, they would be
producing sitcoms. Television is an instrument of kingship. The kingship is not ours at the
moment. This is not just a physical reality, it's a mystical reality. It means that when we attempt,
as the Jewish people, to take hold of the reins of kingship, be that music or television, we must
inevitably look ridiculous and fail.
The Kingdom of heaven is mirrored in the kingdom of earth. The Jewish people are in their
darkest exile and the Divine Presence is in that exile with us. This is an exile of such totality
that most of us don't even realize that we are in exile. We have almost totally accepted upon
ourselves the yoke of the empire, its icons and its ideas. We are glued to their visions. We wear
their clothes. We think their thoughts.
Rosh haShana is a time when we crown God King over the world. We crown him in absentia,
for there is little that we can see which bespeaks his Majesty. he is in exile, doubly hidden in
a world where materialism and selfishness are the twin rulers.
We long for the day when this fourth kingdom will have run its course and kingship will return
to the Jewish people. For on that day God will be One and his Name One, and his people
who proclaim twice daily his Oneness will be seen in their splendor, risen from the sackcloth
of ages.
More articles available at Ohr Somayach's website. |
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